Beginning November 26 at 8:00 a.m., my book, Perchance To Dream, will be on special promotion on Amazon for 88 hours. For the first 44 hours it will be available as an e-book for only 99 cents. For the next 44 hours it will still be discounted at $1.99. I urge you to check it out: http://www.amazon.com/Perchance-Dream-Amazing-Morse-Rozoff-ebook/dp/B00F7O5C20/ref=la_B00847RE9G_1_3?s=books&ie=UTF8&qid=1385433299&sr=1-3
It's the story of a magician who comes to realize there's more to magic than pulling a rabbit out of a hat.
Monday, November 25, 2013
Sunday, November 24, 2013
Art Or Entertainment?
In an online group of writers of which I am a part, I read a
thread about whether writing should be thought of as art or entertainment. I
won’t share too much what others had to say, but I thought I might share my
thoughts on the matter.
Why do people read? Is it to pass the time, to get some sort
of thrill from it that in the end means nothing? Lets expand the question a
little: why does one live, is it merely to try to derive some sort of enjoyment
out of it, pass the time in the most pleasant of ways while we pass between one
stretch of non-existence and another? Or do we desire some kind of meaning from
existence? When we get to the end of our lives, will we be happy to say that we
got through it being amused more often than not?
You may say it is unfair to compare life to literature. I
will argue the point later, but please bear with me until I do. Many people do
indeed go through life searching for one distraction after another. While there
seems to be something to be said for having fun for fun’s sake, it doesn’t seem
to provide enough in the long run. By the time we reach a certain age, most of
us are looking for something more enduring than transient thrills. We want our
lives to have meaning, we want our presence on this world to last beyond the
brief moment of life that we get. So we seek to create, to accomplish, make things
that will outlive us. We give birth to and raise children, desiring to pass
along not only our genetics but also our values and hopes. And as fond as we are
of our comforts and our amusements, we quite easily sacrifice them when we have
a goal, a hope, or a child whose best interests we wish to advance. Even when
we haven’t made the sacrifices ourselves, each of us thrills to the story of
someone who has endured hardships in the name of a goal. And we cry and take to
our hearts those heroes who have made the sacrifice of their very lives in the
pursuit of goals that were bigger than the individual’s interest of comfort and
amusement. So I would have to say that to the vast majority of humans life does
have meaning.
Let us now get back to literature. Must it too have meaning?
Because that after all is what art is all about to me, that it contains
something more than the elements of a story artfully crafted to amuse a child or
adult. My assertion is that, like food, a written work must do more than appeal
to the taste buds. We know enough to at least try to refrain from eating a
Twinkie because we know that while it entertains us, it does little to enrich
us. And of course it is much easier to deny a child that Twinkie, knowing that
while it may taste good, it does not possess the necessary healthful aspects
that food is supposed to provide. We know that to be healthy and face life with
the maximum of vigor, we should be careful about what we put into our bodies.
But too often we neglect the fact that the mind too must be fed by organic,
healthy “food” in order for it to act at peak efficiency.
I know, it all sounds so very utilitarian. Of course
amusement has a place in our diet—it is the spice of life. But when we start
eating Twizzlers for breakfast, we have lost sight of the concept of the
occasional indulgence. When we read certain types of literature—which we freely
admit are not art—exclusively, we deny ourselves the healthy aspects that
reading can actually give us.
But isn’t reading supposed to be escapist? After all, the
mere act of reading takes us away from more productive things we could be
doing. I would respond to this by saying that reading a work of art does not
take us away from life but in fact allows us to see life more clearly. If a
book is written with a desire to speak truth, then the reader has an
opportunity to broaden their appreciation for life.
Lastly, if life should have meaning, then all things should
have meaning. Again, this seems like a heavy burden to place upon us little
mortals, who have so little time on this Earth. But all the more reason to
embrace the life we have while it exists. All diversions from life and the
reality of the life we are living are like little deaths. String enough of them
together and it’s not really living at all. In a sense then, art is life, or at
least a mirror that allows us to see life as it truly is. We might be more
amused to look into the mirror and see ourselves as princesses and mighty
warriors, but we are better served, and perhaps happier in the long term, if we
dare to look at life unflinchingly.
If literature, like life, should have meaning, then the book will continue to live on in the reader long after he has turned the last page.
Thursday, November 21, 2013
Susan Boyle Meets Rocky Balboa
Buy my book! It's easy, just click on the cover that is
situated to the right. And if you click on the cover of The Amazing Morse, it’s
only 99 cents for the Kindle version.
Sorry, I’m not very good at marketing. I’m supposed to be
engaging my audience, I’m supposed to talk about whatever’s hot at the moment.
But really, all the work I do on Facebook, Blogger, about.me, etc. is just a
complicated way to get you to buy my book. So do us both a favor and just buy
it now.
It really is a good book you know. I put all my efforts into
my actual writing rather than in marketing or blogging. At least take a look at
it—Amazon will let you read a bit of it for free—and tell me what you think.
I’m not looking to get rich, but I dream of being able to
write for a living. As it stands now, I work full-time in a factory. You may
ask yourself what a factory worker knows about writing novels, but therein lies
the appeal. It’s a classic Rocky Balboa or Susan Boyle story, the story of a
person who fought against all odds to achieve a dream. This is even more
unlikely, it’s like Susan Boyle fighting for the heavyweight championship of
the world.
Like I said, I’m not very good at the marketing side of
things. When I was in college, I started wondering what I was going to do with
the English degree I was working on. I thought advertising was a natural fit,
as it involved putting together convincing arguments. I even went so far as to
do an internship with a television production company. It was there I learned
such terms as “product placement” and “soft sell”. I really thought I could be
good at that sort of thing. There was only one problem; it was evil. I didn’t
want to use my hard-earned powers of persuasion to manipulate people’s minds
and emotions, I wanted to show them the truth to the best of my ability. It was
little different in my experiences with journalism. Again, it was advertisers
before integrity. So I left the writing business for a time and found myself an
honest job. But the 21st Century has offered opportunities to the
independents in the form of self-publishing. I at last have a chance to put
forth something I truly believe in. Give it a look. You have my word that I
respect what I do too much to give you anything that would not be good for you.
And when you someday see my book in someone else’s hands, you can tell that
person how much you helped that writer get his break. Thanks.
Tuesday, November 19, 2013
A Message Written In The Past
I have piles of papers upon which I have managed to
drag pens across, scribbling ideas that once seemed worth saving. They are like messages and momentos from the person I used to be. Once in a
while I go through some of them in hopes of inspiration. What I normally find
is something like this: nothing to help me write a story, but ideas I don’t
feel like discarding. I suppose if I put it on my blog, I can justify throwing
the paper away (except that there’s something written on the other side as
well). Let me know what you think:
“Extended concentration seems impossible, as the
ticking of the clock pervades my consciousness. One’s time is divided by
infinite instants, none of them giving enough space for a productive action. A
moment later a moment is gone forever, burnt like a limited supply of kindling
in the face of an endless winter. Time flows one way—perhaps the only constant
in this world—never, not once to turn back the clock even for a second. We can
retrace our steps in all things but this, can return to any home but the past.
Yet the past IS our home. In it is everything we have ever known. Every feeling
of love or belonging lies there. We are travelers without destination, merely
going forward, always departing the comfortable and the familiar. Eternal
refugees.”
Sunday, October 27, 2013
I'm Not Like Everybody Else
What I should be doing in my blog is involving readers
by asking questions and looking for feedback. What I should be doing is
referencing what is hot in my particular genre at the moment so that people are
attracted to my posts and come to associate my brand with other, more popular
brands.
I can’t do that. To begin with, I’m really not sure
what my genre is. Sure, when publishing my books, I was forced to choose where
my books would be listed (they’re listed under horror and suspense in some form
or another). But I don’t really care to be lumped into some great mass where
each book is a slight shade different from all of the others, where the reader’s
expectations are paramount. Nor do I like the idea that those who like sci-fi,
mystery, or any other genre would necessarily be uninterested in anything I have to write. I like
to think that what I write, no matter where it falls in the lists, has
something universal to say.
But that is not the world we live in. Today, we have
so much information that we must categorize it in some fashion. We must summarize
everything so that we can get the bigger picture without fussing too much over
the details. We are each the CEOs of our own business, none of us having the
time to dig too deeply into the essential stuff of existence.
We are missing something as the result of this
mindset. Those simplifications that are made are not made by us but by larger
forces. Corporations and marketing departments determine the best way to
present product in order to maximize sales. In allowing ourselves to accept the
categorizations, we slowly forget to question the basic assumptions that
created those categories. We surrender our ability to think in order to get
through life more quickly, to do and consume more.
For me to reach the maximum amount of people, I must
brand myself in such a manner that appeals to people’s uncritical responses.
They must subconsciously form decisions about my book that will lure them
onwards. All potential barriers, such as complex ideas or unpopular opinions,
must be swept away in order to increase my appeal.
Again, I can’t do that. I’d like to think it was a moral
choice, but the older I get the more I realize that I don’t have much choice in
the matter. There is just something deep down inside of me that rebels at the
concept, some sense of individuality. I am an individual and I hope to speak to
other individuals. Or at least, we all have some aspect to us that is unique or
uniquely human, and I wish to connect that aspect of myself to others. I want
to believe that in truly being myself I can better understand and appreciate
others, rather than believing I have to limit myself in order to fit in on a
superficial level with similarly stunted people. I wish to believe…no, I DO
believe that we can all be individuals and yet fit in with the world at large.
More than that, I believe that we MUST be ourselves before we can truly find
our place in the world, that the less afraid we are to be ourselves the more we
are able to relate in a positive manner to others.
I’m sure what I’m saying has already been said better
by others. I’m sure I’ve read similar sentiments in Mad Magazine or Erich Fromm’s
The Sane Society. Nevertheless, I add my voice to those many who have said it
before. I know it sounds contradictory to proclaim my individuality by placing
myself in the company of others, but the truth is often a paradox. To discover
one’s true voice is to discover that it has a natural harmony with those of others,
that not by conforming but by being oneself does one find one’s place in the
world. But really, I think the Kinks said it best:
Sunday, October 20, 2013
End of the Road Anthology
Amidst the turbulence
of my life, I see I have forgotten to mention that I have had two stories
accepted in an anthology of stories based around the theme: End of the Road.
There are some truly talented (and successful!) writers included in this
anthology and I feel privileged to have my name in the same book next to
theirs. While I would prefer to tell you about the other stories in the book,
there are too many for me to mention each of them. Therefore I will tell you
briefly about my contributions to the End of the Road Anthology.
As is my normal
method of writing, I was initially stumped on what kind of story I wanted to
contribute to such a themed anthology. This then led to my mind (virtually)
exploding with different ideas of what the end of the road might mean. Since I
tend to gravitate towards the extreme, I naturally took the theme to mean
death. But since I also tend to reject the obvious, I wanted to portray death
in a way that might not really mean the end. So I split the difference and
wrote two shorter stories instead of one long one. In what probably amounts to
commercial suicide, I wrote one story with strong religious coloring (Waiting
In Line), and the other spattered in blood red (The Last Hours Of Brandon
Kratz). I guess I’m not real good at the whole branding thing. Actually, I like
to think my writing can take many different aspects of life and roll them
together into something larger. Hopefully that is what I can achieve in my
novels.
The best part of
this anthology is that it is absolutely free to anyone with an e-reader device.
There is also a paperback available, which has been priced at the absolute
lowest possible price. If you want to pick up a free or greatly reduced price
sampler please check us out at Amazon or any other book distributer: http://www.amazon.com/End-Road-Jacques-Antoine-ebook/dp/B00E6IUKAM/ref=sr_1_1?ie=UTF8&qid=1382321989&sr=8-1&keywords=end+of+the+road+anthology
Again, thanks to
those others who were involved in this anthology and were gracious enough to
include me as one of them.
Monday, October 7, 2013
Themes and Ideas in The Amazing Morse
I’ve wanted to have someone write a paper on my book,
The Amazing Morse, but as that is not forthcoming, allow me to point out some
of the themes and concepts which are in the novel.
The book begins with a man sitting in an office
cubicle, reading a book of detention hardware as part of his work. He imagines
the various pieces of hardware coming together and forming a prison cell around
him, even as the cubicle walls form a sort of prison of their own, a prison of
conformity to which he subjects himself.
There is a definite Hindu perspective to this. Man is
cut off from the greater reality, each person separated from the greater
universe. I jokingly refer to Sting’s The Soul Cages in my second book, and I
think that is a fair comparison. But I think the idea of walls and square
dividers work on many different levels. The intellect chops things up in to
little pieces in order to be able to digest it. It places a grid over the real
in order to treat the whole as individual pieces of data. But whatever the
intellect experiences is an indirect experience. Our deepest truths are
experienced directly, in a way words can never adequately explain. But the
older we get, the more we become adults, the less most of us are able to
perceive the world in a direct manner. We perceive things in an intellectual
manner, see things for what they represent rather than what they are. We become
many levels of abstraction away from the essential truth of things.
Dave Morse’s childhood dream was to be a magician.
Because of his love of magic, and because of his desire to hold on to the
dreams of his childhood, he is still able to see life through the eyes of a
child. Therefore he does not fit in to the business world, a place where conformity
of thought seems to rule the day. But while he is a magician, he is not an
escape artist. A traumatic experience in his youth has left him with a fear of
confinement. Thus he is a failure to himself. Unlike his hero, Houdini, he is
unable to risk his life in daring escapes. He feels like a fraud, performing
tricks and illusions rather than being a true performer. So while Dave has
maintained the ideals of youth, he has failed to develop his adult capacity to
live those ideals.
Dave sees his personal plight working itself all
around him as well. While Dave sees work as a mass of square cubicles, he sees
the neighborhood he grew up in as an endless row of almost identical houses,
each only a minor variation from the other. Such an environment breeds
conformity. Even the field that he and the other neighborhood kids used to play
in has been built over and is now indistinguishable from all the other cubed
and sliced up patches of sameness that is the suburbs. There is no place left to
hide from the all-consuming conformity.
And yet there are some areas that seemed to resist the
wave of prefab houses that are everywhere in the suburbs, places where older
buildings already existed. In one such area, Dave encounters a psychic, who
with a single touch does something strange and unexplainable to him.
He begins to have bad dreams, which push his ability
to make sense of his life to the limit. He begins to realize what a tentative
grasp on reality humans have. He cannot find intellectual answers to his
problems. Again, the intellect is an ineffectual tool for understanding the
world.
While Dave’s world unravels around him, he is pushed
to make decisions which could ruin his life, or quite possibly, end the lives
of others. He tries to be brave, but cannot bring himself to confront his fear
of imprisonment. He settles on a compromise of his values, which almost leads
to his undoing. But the seeds he sewed in his childhood have not been
completely fruitless.
Dave learns that the world he lives in is far larger
than any he has allowed himself to believe. He realizes most people live in a
small world for fear of the larger, more dangerous one that exists. But in
hiding from the dangers of the larger world, they also cut themselves off from
the magic that exists. Most people live in a small world and so feel cut off
from the real world. They perceive the stars through a telescope, see a world
so vast that they feel like they are nothing. In living in a small world, they
can pretend they are bigger than they are, but they are cutting themselves off
from the truth, and the truth might just be beautiful. No matter how small a
part we play, we are not outside observers. We are all part of that great big
universe. If we live fully in the small space that is given us, we are playing
our part in that vast and cosmic play. In truly being ourselves, rather than
submitting ourselves to an artificial reality, we become one with everything.
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