The Cover For The Association
So another book has been released and another cover done.
They say you should never judge a book by its cover but they also say not to have
more than two drinks in an evening: in other words, people do it so you better
accept it. With that being said, I thought my choice for a cover for my third
book in The Amazing Morse series would be easy. Early on I used the term “sleep
of reason” in my book, and it seemed a natural title for it. I discuss the
breakdown of the current cultural paradigms and the chaos that could ensue from
that. The term “sleep of reason” of course comes from the etching by the
Spanish painter Fransisco Goya, so it seemed a given that the cover should be
some kind of reproduction of the famous painting.
The full title of the
etching, by the way, is “The Sleep Of Reason Produces Monsters.” I think that
very well summed up a major element in my series, that demons and ghosts are
creations of warped human life/energy/chi or what have you. Plus, the sleep
element is also stressed in the title. My main character has the ability to see
things in his dreams that come to light in real life. So all I had to do was
get the artist I had for the first two books to redo the original.
Except that the more I wrote the more I started to think
that maybe it wasn’t such a good cover for the book I was writing. While it fit
in well with the overall series, there was nothing that tied it to this
particular book. And I was already looking further down the road to the end of
this series. There will be some climactic moment, some final book that draws to
a conclusion themes and ideas that have been working their way through this
group of books. I wanted to have that title and that cover in my hip pocket, to
be used later at the correct moment.
It’s nothing new for me. Perchance to Dream was supposed to
be the name for my first book (lifted from Hamlet, of course). The original
idea for the cover of that book was this:
If you think about it, there are references here to Hamlet,
a man staring at a skull contemplating death. But somehow the idea of The
Amazing Morse got a hold of me. I liked the juxtaposition of Amazing and Morse, a rather common name. I
wanted to show the distance between Dave Morse’s aspirations and necessary
showmanship from the reality of his life. It was meant to be somewhat ironic.
Plus it kind of rolls of the tongue, what with the alliteration. And so I saved
Perchance To Dream for the title of book number two, which ended up ruminating
on death a lot anyway and included a Hamlet quote or two.
And so I now had to come up with a new name for my current
book, just as for the first. I considered The Nineteen Cuts, and may have also
briefly considered a few other names. Then I thought of The Association, named
after the group that had fallen into evil and had ended up being the
antagonists of the novel.
I liked putting the title of the book on a tombstone. The
Association had died a century and a half ago, although their ghosts remained. The
original picture that we used for the tombstone came from The JFK Prep, the
history of which was a major source of inspiration for the book
.
Here’s my original mock up for the cover:
It was at that point that Suzie O’Connell became involved. She
had done the non-painting portions of my first two covers. She has been doing
so well with her writing that I didn’t think she’d want to be bothered doing my
cover, but she was kind enough to not only do it but also put up with my
constant input and requests for changes. Here’s a big shout out to you, Suzie.
Thanks for all the help and the infinite patience. You can find more of Suzie's covers as well as her writing on her website: http://suzieoconnell.com/#
Oh, and remember what I said
about the Sleep Of Reason for a future cover, Suzie J
And here’s the finished product:
P.S. It’s not something anyone would notice, but I
nevertheless made Suzie replace a cross on the tombstone with a dagger. We
authors are a demanding lot, you know.
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