The Road to "Perchance To Dream"

 

Perchance to Dream is my new novel, and I wanted to take a moment to explain how it all came about. First of all, it may be obvious to some that it comes from Hamlet's second soliloquy. It is a play on words, referring to the Dave Morse’s ability to see things in his dreams. The name was originally a working title for my first book which eventually was changed to The Amazing Morse. Perchance to Dream was never really meant to be a title for any book, but it happened to hang around for a long time just out of convenience. But when I had finished with The Amazing Morse, I couldn’t help the feeling that I had really only begun to flesh out ideas with the novel. Not ideas of characters or plot, but ideas about how people, myself included, perceive the world. I wanted to explore these ideas further, and these characters I created for the first book were eager to investigate their universe more fully as well.

And so began my next novel. And the title, Perchance to Dream, just seemed to fit. It dealt with the subject of death, of man’s attempt to escape it.

Which then leads to the cover image. I wanted to show the elements of escape artistry, thus the chained coffin. I wanted the cover, like the last one, to look like an old-time magic poster. Magic has always made use of the macabre, so a coffin would fit right in with the concept, as would a spirit rising from it. But beyond making a good magician’s poster, I wanted it to say something about man’s attempts to explain death, to triumph over it. Originally, the spirit rising from the coffin was inspired by this album cover:



I wanted to show man's ability to transcend over his earthly condition. It started well:



 



But somehow it got lost in the final version:

So we went with scary instead, which worked out well:

Let me give a quick shout out to the people who took my ideas for a cover and made them a reality. First of all thanks to Nate Adams who is perhaps too willing to trust my judgment on matters and tirelessly tries to bring them to life. His blog can be found here: http://nates-art.blogspot.com/
Also thanks to Suzie O'Connell for her graphic work that seems to come effortlessly and adds things I didn't even know I needed. You can find her website here: http://www.indieproud.com/
I feel as if I expanded upon the concepts that were begun in The Amazing Morse, but I also think there’s some grand vision that I want to achieve with the series. There are some deep religious ideas that can play themselves out against the background of a magician/escape artist, his assistant, and the people they encounter. They exist in a word far beyond their abilities to understand, and need to find their own places in the universe. There is nothing supernatural about that, but it can be magical.
You can find my new novel, available for Kindle, here: http://www.amazon.com/Perchance-Dream-Amazing-Morse-ebook/dp/B00F7O5C20/ref=sr_1_3?s=books&ie=UTF8&qid=1379297712&sr=1-3
More formats will be available soon.
 

I've added a little prologue to my debut novel, The Amazing Morse, and wanted to post it somewhere so that anyone who read the book already could have a chance to read it. Any comments or catches on spelling/grammar errors would be appreciated.

Prologue

 

The bell attached to the front door rang, signaling Evelyn’s arrival. This would be Jennifer’s only client today, she had cancelled all the rest. She would have cancelled this one too, but Evelyn simply would not take no for an answer. She had important news to share, needed the wisdom only Jennifer could impart.

It was touching, really, the amount of trust her clients placed in her. But there was nothing she could do for her, nothing she could do for any of them any longer. She had seen their futures and knew she was powerless to protect them.

Jennifer steeled herself for the encounter, attempted to assume some pose that would hide the dread that welled up in her. At length, she forced herself to open the door that separated the room she was in from the spacious foyer where Evelyn waited. Evelyn entered in excitement, the brightness of her mood cutting through the darkness of the room.

“I’m sorry,” said Evelyn. She was wrapped up in her own joy, too much so to notice the horror that the other woman was attempting to conceal. “I know you didn’t want to be bothered,” the words escaped Evelyn’s lips, enthusiasm besting courtesy. “But I just had to share the news with you. It’s maybe the best thing that’s ever happened to me, and I owe it all to you. I just had to thank you for directing me the way you have. And…”

She paused, hoping that she wouldn’t have to ask. But Jennifer sat unresponsive in front of her, barely listening.

“…and I wanted to know if it was as good as it seems. I need your advice, I need to know I’m not rushing into anything. I just need a quick consultation…just in case.”

Evelyn smiled an appeal at Jennifer to no avail. But Jennifer’s enthusiasm would not be denied.

“Oh, please? Just a word. Just a simple yes or no. It’s only that I trust you completely that I ask you.”

Jennifer stared up at the taller woman, prepared herself to tell her whatever needed to be said in order to get her to leave. But when she grabbed the hand that was already being held out to her, the flood of emotions and images she received from the contact was too much to bear. She envisioned terror in Evelyn’s eyes, saw fingers tightening around her neck, felt the savage glee of the man who would soon take her life.

“Run!” Jennifer tore her hand away from Evelyn’s. “Don’t you see? You’re going to die! You’re all going to die!”

Jennifer ran from the room, leaving her client alone in the shadows, confused and frightened by the revelation.

 

Of Artistic Integrity, Dignity, Zombies, and Paris Hilton’s Sex Videos

 

I recently heard another writer talk about how many more hits he gets on his blog every time his subject of conversation is zombies. This got me to thinking about what would attract people to my blog. Is it as simple as mentioning Vampires, Hobbits, Werewolves or Aliens? Or could I get a million eyes upon my blog simply by referencing a famous movie such as Harry Potter, Twilight, Star Wars, Lord of the Rings or the Godfather? Not that I would do such a thing, of course, and if I did, it would only be as an experiment.

After all, it would invariably be a disappointment to whomever stumbled upon my blog to find their favorite movie or television show, such as Fringe, Buffy The Vampire Slayer or Lost was mentioned merely as a way to get someone to click onto my blog.

It would be a cynical ploy to make mention of the Kardashians, Honey Boo Boo, Selina Gomez, Angelina Jolie, Hunter S. Thompson, Brad Pitt, Jennifer Anniston, Jennifer Garner, Jennifer Hudson, Jennifer Lopez, Jennifer Lawrence, Jennifer Jones, or Johnny Depp. The truth is, I’d be more likely to garner negative attention by doing such a thing. Still, I have to admit to a certain amount of curiosity, whether or not I could direct traffic to my blog through such means. I guess another way of going about it would be by checking out what is trending now, like baby pandas, Ben Affleck as Batman, Anthony Weiner, Martin Luther’s I Have A Dream Speech, etc. But the truth is, I’ve never attempted to be a trendy person, and really don’t see much to be gained by associating my novel, The Amazing Morse, with the ephemera that flits past our consciousness briefly and then is never thought of again.

I’d like to think that my name might better stand with the giants of fiction, people such as Jack London, Victor Hugo, William Shakespeare, Joseph Conrad, George Bernard Shaw, or Oscar Wilde, that my work might someday sit on a shelf next to the likes of Brave New World, Pygmalion, The Picture of Dorian Gray, or The Scarlet Letter. But this is an extreme burst of vanity on my part. Truth be told, I’d be content to have my books sitting next to the likes of James Patterson, John Grisham, George Martin, Dan Brown, or Terry Brooks.

I sometimes wonder what kind of person would want to read my book in the first place. My ego says it would be people who have read Plato, Socrates, Erich Fromm or Lao Tzu. Only slightly less egotistical would be to think that those who have the same influences as myself might enjoy my writing. Perhaps those who have read Alan Moore or Steven R. Donaldson might see a little of them in what I do.

In truth, music seems to have been an even bigger influence on my life than books. I can’t help wondering if the works of The Beatles, The Kinks, The Animals, Pink Floyd, Genesis, Yes, and King Crimson have somehow shaped me as an author. Again, I am not name-dropping. If I were, it would be silly to waste space by naming such obscure influences on me as Stackridge, echolyn and Änglagård.

I know that ultimately a writer will be judged by the work he creates and not by the company he keeps. And I know that getting people to my blog is far different than getting anyone to actually read it. Still, the life of an unknown author can make a person feel like a voice in the wilderness. It would be nice to think that there might be easier ways of connecting to an audience. And self-promotion, no matter how unsavory a thing it is, is part of any artist’s job.

And who is Matt Kenseth, anyway, and why is he trending?

Indie and Proud

When I was in the process of writing my first novel, the idea of self-publishing never entered my head. But by the time I had completed it and was wondering what to do with it, self-publishing seemed the obvious choice.

Like a lot of others, I tended to view self-publishing as a route for those who were not good enough to get a publishing deal. This was a bias that had been ingrained in me despite the fact that I have never held contemporary fiction in high regards. I am just as susceptible to lazy thinking as anyone else, and so the idea that acceptance by the authorities equaled quality found its way into my thoughts, despite the fact that my general observations have been the exact opposite. I have always tended toward the independent film or the indie rock band. If I am looking for a book to read, the last thing I would think to do is look on the New York Times Bestsellers List or read some trade publication that is supposed to tell me what is new and important at the moment.

The comparison to music says it all for me. I look at my music collection and find next to nothing from any of the major labels. Surely there are the established classics, The Beatles and The Kinks, just as my bookshelves hold Shakespeare and Dostoyevsky. But when it comes to recent music, bands like Änglagård and Echolyn stand head and shoulders above anything I can find on the radio, despite the obvious lack of resources. Let’s face it, the corporate influence dictates that the central focus be on the bottom line rather than the actual worth of the art being made. Rather than allowing an artist to express his or her opinion, focus groups, spread sheets, and people in cubicles dictate what the final “product” should be.

If you read only the first chapter of my first novel, The Amazing Morse, you will know that I express a dislike for “the corporate mindset that crushed wonder”. Virtually everything you read, see or hear nowadays is delivered through the corporate entertainment machine, or is a reflection of same. While I believe it is still possible for an artist’s voice and vision to get through, it is increasingly unlikely to happen, at least not through the major channels. Corporations rule the way we think today in the same manor the Catholic Church ruled European thought in the Middle Ages. So deeply engrained is the corporate mindset that we are not even aware how much it shapes our perceptions. So deeply engrained is the corporate mindset that I held a bias against the indie writer despite all personal evidence to the contrary.

So I am proud to consider myself an indie writer, happy to sit outside the mainstream and thus be in a position to see and critique the dominant paradigms of our day. My voice is wholly my own, uncensored by any person or persons that are part of the groupthink that is inevitable in our corporate era. Without the voice of the indie, the range of vision for our society will constantly shrink as the variety of voices will be silenced. In the place of innovative filmmaking, you will have a constant barrage of sequels to Adam Sandler films.

Yes, there are obvious advantages of having the financial and promotional backing of an established company, but the corrupting influences are too great.

Perhaps you have found the spelling error I had in the fourth paragraph and thought to yourself: “Strictly amateur. Assuredly, if he had an editor, that would have been corrected.” Well, perhaps it would have been caught. But the tradeoff would be that I would need to be branded as a particular type of author and sold to a particular market. My writing would then have to reflect what the market thinks is hot, rather than what I want to write. I would be just another commodity to be sold on the market. The edge of any point I try to make would have to be softened until it was incapable of offending anybody. It is not my intention to offend, but it is my intention to make a point, to tell the truth as I see it and permit the reader to decide what my opinion is really worth. I do not need nor do I want someone to change my writing in order to maximize profits and appeal to the proper demographics. I just can’t think like that, and if I could, I probably wouldn’t be writing books.

And that is why I am Indie and Proud.

I made a video list of my top 30 written works of fiction of all time that I thought I would share. Yes, it is extremely biased and I am sure I am missing a bunch. I pared it down to 30 so that I could say that each work belonged on any list of 100. Of course, everybody has their own opinion.

An Interview/Article by Lauren Baur

What follows is an article written by Lauren Baur about my first novel, The Amazing Morse:

Every child has that one dream, one fantasy, which reminds them of the magic in this world. And many adults, especially in the 21^st century, have found that magic to remain in their past. The new novel “The Amazing Morse”, by local author James Rozoff confronts this 21^st century mentality, “inevitability of technology”, and the magic in this world to create a page turning self-reflective work that will get every reader questioning and remembering their own idealistic self. James Rozoff did self-publish his first novel. It is an accomplishment he has been working towards since graduating with an English degree from Silver Lake College. It’s a new and interesting world, he explains, for those in the publishing business. Years ago self-publishing was the route definitely less taken by many artists, however Rozoff goes to explain how in the modern world, with its technological outreach and communication capabilities, it seems almost advantageous to promote your own work. Technology has created a world where self-publishing can reach a wider audience in a much faster pace. He mentions a local high school teacher who himself has a fan in Italy in lieu of the lack of acknowledgment closer to home.

He addresses how interesting it is to look around and idealize the time we are living in. That we have such favor to our own means and methods, and have a distaste and lack of reverence for those in the past, assuming them to be, as he quotes: “stupid”. He says it so bluntly to enforce the idea of who’s to say that in a hundred years, people won’t easily be looking back at our time thinking the same thoughts of our naivety. It seems Rozoff explains that technology is something accepted as an inevitability and a good, but perhaps this is not the case. The first chapter of his book, in fact, is a picture of the prison of a modern day cubical of a once dreaming artist; a magician. To best explain the main character Rozoff states he “is Atman and he is attempting to be Brahman”.

He chose this as the topic for his first novel, because his brother who is a magician had jokingly told someone that he was getting a book written about him. This sprung the idea for him and he decided to abandon for now the other story ideas he had been working on and gather all his attention and energy into one he had more interest in. He goes to state “I liked taking the idea of magic and making it relate to the era of Houdini; that there still existed the idea of magic then, when not everything was instantly available.”
He goes to say also, how interesting it is publishing in a world where he’s not even sure who reads anymore. And if they do read is it on a device that with one click can bring you to a movie or as he says jokingly “pictures of cute animals”. He is expressing how instantly gratifying this world is and the things that demand our time instead of the fantasy, the ideals, and dreams that do come with discovering what’s on the next page. He hasn’t kept up with a great majority of modern or contemporary literature so he definitely expresses taking the leap of writing a novel to bring up the issues of living in such a predominately modernized and technological world saying “I’d be happy with one person understanding what I’m trying to do. If I accomplish that, I won’t feel like a loon”.
He has been influenced by Jack London, Victor Hugo, and “of course” William Shakespeare. He goes to say “as far as contemporaries, I am very influenced by the independent musicians who are able to produce fantastic music without the backing of major record labels”. There’s a lot of honesty and truth in pieces Rozoff puts together as what has combined to become his muse for this novel. But it has been 20 years in the making. In fact it was about 20 years ago he had a followed a friend who, as he explains, had an “eye for the unusual” into an establishment with a sign predominantly displaying “psychic”. He said the uneasy feeling that still resonates is what began the idea for this project.

It’s an interesting and intense read that takes a very solid look at the lives we have created for ourselves as a whole. It is from the mind and hands of a local artist, giving even more meaning to those around this area who choose to pick it up. It deals with questions and concerns almost every person has brought up to themselves, and reminds one what it was like to have those dreams as a child, to accept the butterflies in your tummy, and use them as motivation and not bars on a cell of self-imprisonment in a climb-your-way up society. That is simply a small impression of the greater wonders that are expressed as the reader follows Morse through each turn of the page.

Rozoff currently is related to the Minds Without Boundaries writing group in the Manitowoc area. And he gives direct and sincere advice to all those going into English and other art forms. “Don’t over salt the fries and don’t put too much mayo on my burger. (jokingly) Seriously, though, the world needs English majors, it just doesn’t appreciate them. Science is a noble pursuit, but it cannot answer mankind’s big questions. Literature can take spirituality, psychology and philosophy, mix them together and find answers that speak to more than just the intellect”. His novel is available at the public library, Amazon, for Kindle and for Nook.

 

One profoundly disturbed individual

I admit it, I have never read a Stephen King story in my life. I have, however, seen a lot of the movies based on his books. And for me, one of the most frightening moments in of all the movies was when Jack Nickelson's wife looks at the manuscript he has been working for months on, only to discover that it merely repeats "All work and no play make Jack a dull boy" over and over again, page after page. It made her realize how absolutely deranged a person she was living with. I've always set that as a benchmark, a 10 on the crazy meter, if you will. While writing my newest novel, to be released soon, I have created a character that, at least to my mind, equals Jack as a profoundly disturbed individual. Here is an excerpt from that novel, tell me what you think:

“Go out and play. Far from here.”

That’s what his mom had told him. She had been uncharacteristically stern with him.

“There’s nothing to do.” He complained to his mom.

So his mother had given him a pail and told him to pick blueberries. She told him not to come home until the pail was full. But he had carried this pail with him for quite a while now, and while he thought he had collected plenty of blueberries, the pail seemed less than a quarter full. For someone so young, the pail was becoming heavy.

It was a beautiful summer day, the sun bringing light and warmth to everything around him. Being young, he was curious. The island he lived on was all he ever really knew. While not very large, there were still parts of it he had never seen. He was in such a place now. He was far from the village, farther than he had ever been alone before. He was searching this new territory for all its mysteries, poking his head into a hole in a tree to see what was inside. He looked down on the ground to see a knot of grubs near one of the roots of the tree, sucking nourishment from the moss that grew there. From the massive tree with a swing attached, to the grass that moved slightly from a gentle breeze, everything around him was alive. Birds chirped and fluttered somewhere above him while the buzzing of insects could also be heard amidst the rustle of leaves.

His eyes to the ground, he beheld it. It was hidden in the grass so that he could not see what it was. At first he thought it was a rock, but then he thought he could see something moving. But it was not alive. It was a baby bird, but the life that it should have contained was replaced with something repulsive and black. It was not merely dead, it was death incarnate, a young boy’s first encounter with the dark truth of existence. Although he had no experience with it, an instinct older than his species knew what it was he saw and made him recoil from it. It was just a baby, a young bird not yet capable of flight. It laid there, its body twisted in an unnatural position from its fall from its nest in a branch far above.

What had been new life a short while ago was now this. He did not know if it were merely insects that had been feasting on its body or if something larger had been gnawing at it. But whatever it was, it had eaten through its skin, revealing the strange and nauseating sight of its internal organs to the young boy’s eyes. The sickening reality of existence that had been covered by soft downy feathers had been exposed. And it occurred to him that all he had ever known of life had been proven false because he had not known of the reality of death. In an instant, one horrible instant, this creature’s life had been extinguished because of some small event. Some slight misstep or an unusually harsh gust of wind had ended this life without chance for reprieve. And the boy knew, beneath his tanned but soft skin, he too was full of the same soupy mess that was now poking through this bird’s skin. And he knew that he too could be brought to the same end with merely an instant of misfortune. This creature that had been nurtured by its parents now lay abandoned and forgotten, left alone to rot and be eaten by the lowly things that crawl upon the earth and suck upon the underbelly of life. And he realized that he too was very small, that he too was very fragile. And he was alone. He never knew what alone meant until this moment. And even though his mother had sent him away and told him not to come back until dark, he found himself running back to the village, leaving his pail of blueberries behind. He knew he would never find answers to what he saw, knew that he could only try to forget about it, drown it out with other thoughts and experiences so that his mind would not have time to think about it. He would live in the village and surround himself with the life he used to know, before he became aware of death.

It was very quiet when he returned to the village, even more so than when he had left. In the morning, the people had been talking in whispers, when they felt the need to talk at all. Now, there were not even whispers. Even the place where the little death was had contained whispers.

He looked towards the center of the village, and there he saw the villagers, sitting at the tables where meals would be eaten in good weather. But there was no movement, no noise of any kind. The people were like statues, their faces twisted in sickening smiles of pained madness. He saw his mother there, but she did not look at him. Her gaze was fixed crookedly towards the sky, a cup still grasped in her hand. All of the people, his uncle, his cousin, all sat like photographs, frozen in the past. He was alone, completely alone, with his newfound awareness of death. But death was no longer lurking in the grass, it no longer needed to hide. It was all around him. Everyone he ever knew was staring at him with death in their eyes. He gazed at the faces of those around him, contorted from the pain that had been their last moments. Their mouths were shaped almost in the form of smiles. It was though they knew something about death, something he did not. They appeared not to be frightened. Perhaps he could learn from them, if he could only hear what it was he thought they were trying to tell him. After all, they were still his family and friends. And in his need, he began to think he could hear faint murmuring, as though the dead were willing to tell him their secrets.